Today’s word from Kerry is an apology for being so late in posting my song about the coronavirus, “The Quarantine Scene.” I’m sorry. Self-isolation was a novel thing when I wrote it on March 19 and imagined it rocketing around the world as the viral hit of the pandemic. Now that the first wave of business reopenings have started, it’s a bit long in the tooth. My cultural antennae tell me no one is craving a nostalgic look back at the self-quarantine of March and April.
One qualification for my apology: I did manage a timely performance of the song when my band did three live streams in April. Our six band members each performed solo from our homes, including our drummer, Marty York, who played a memorable drum solo on his washing machine on that first night, April 13, when I debuted “The Quarantine Scene.”
But I knew I needed a more fully arranged version for this thing to go viral. And I wanted to produce it in true quarantine style, from the home studios of people who never played the song together in person, so it would not only be about the quarantine, but of the quarantine. And it felt right to restrict performers to family members, because you quarantine with your family. It didn’t hurt that several of my brothers and nephews could fill out the arrangement nicely.
We had challenges. Our best bass player (Forrest) wasn’t available because his brother (Kieran) had bailed out of Brooklyn to stay with him in his suddenly cramped Tipperary Hill (Syracuse) apartment. An even bigger issue: none of the three who signed on had experience running a home digital recording studio. But this would be a chance to learn! Wasn’t that what the quarantine was all about, learning Zoom and other digital technologies that provide virtual socialization? Besides, my brother Phil (drums) and I were already dabblers, and we had talked about trying remote recording projects before the pandemic. My nephew Zac (violin) hadn’t recorded digitally in years, but he enthusiastically bought the equipment he needed. And we were off.
Some things came easily. Others took time and patience—a lot of YouTube tutorials, a few redos and a consultation or two with outside experts—until we eventually had something we all felt good about.
Now as the self-quarantine is slowly lifting, I realize that this was my one project that ran through the entirety of our “pure” self-isolation period from mid-March to mid-May. It led me to learn at least some of the intricacies of Garageband software and how to turn a Zoom meeting into a YouTube live stream to broadcast our band’s performances and the song’s debut. It rallied me to open a SoundCloud account, where this recording is my first post. And it led me to engage with family members in other cities, and imagine a slew of projects we can do together during—and after—the pandemic.
Don’t get me wrong. I also took it easy during self-isolation. I had few deadlines. I went on long dog walks. I re-initiated long-ignored projects around the house. I phoned some people I hadn’t connected with in a while, with many more I should call. I watched movies with my wife almost every night. And Tiger King.
Those are some of the reasons it took me longer than I thought it would to get this song out. But no worries. Not being too hard on yourself is part of what the quarantine scene was all about.