Even rarer than the leap-year day is the generation gap duet (my term for it), when clashing cultures are joined via a pre-rock-‘n-roll icon singing a duet with a rock star. I don’t think very many occurred, but each one I’ve seen is fascinating.
Frank and Elvis
I believe the first was when Frank Sinatra sang with Elvis Presley in the 1960 television show that welcomed the King back from the army. This was the prototype for generation-gap duets. In the 1940s, teenagers screamed for Frank, in the 1950s, it was Elvis. So why did these two get together? Each was fishing for a career boost. Elvis‘s presence gave Sinatra’s show ratings a healthy bump over the three previous specials in the series. And Elvis was not only restarting his career after a two-year army hiatus, he also hoped to get off the latest-fad train by attracting an adult audience and perhaps following a career path similar to Sinatra’s.
They sounded good together, each taking a turn at a hit song of the other (Love Me Tender and Witchcraft), eventually coming together to close the performance with a tight, well-blended harmony. And they look like they’re having fun. But it was the self-proclaimed rock-‘n-roll hating Sinatra’s show, and they performed by Sinatra’s rules, the songs arranged in Sinatra’s swing style, the attire black tie. Like a good son, Elvis was polite and respectful, but with a glint in his playful eyes, suggesting that he had something big planned for when he stepped out of his parent’s house later that evening.
Bing and Bowie
Another popular duet is the elderly Bing Crosby joining the young space oddity David Bowie to perform Peace on Earth / Little Drummer Boy for “Bing Crosby’s Merry Ole Christmas” television special, taped on Sept. 11, 1977. Their performance is impeccable, but seeing Bing Crosby pairing his clean-cut post-Great Depression style with Ziggy Stardust is surreal.
Knowledgeable Bowie writers claim that Bowie did it as part of an effort to normalize his career after a decade as a glam-rock freak and recently initiating recovery from a debilitating drug addiction. Bing appears to be a good sport about it, though his energy is a little low. Indeed this was one of his final recordings—he died a month later, and the show was presented posthumously. Seeing his interactions with Bowie and understanding these circumstances does make you wonder, as many pundits have opined, if Bing knew what he’d gotten himself into.
Jerry and Gary Lewis
My latest generation-gap duet revelation is the father-son combination of Jerry and Gary Lewis on the rock ‘n roll TV show Hullabaloo in September 1965. They were co-hosts, and they kicked off the night’s festivities together singing the latest hit single by the Beatles, “Help,” arranged no doubt to please the senior Lewis.
Imagine singing the line, “But now those days are gone I’m not so self-assured,” with fingers snapping in the supremely confident ring-a-ding-ding swing style of the Rat Pack. Well you don’t have to imagine it, because the Lewises show you how it’s done in their Hullabaloo performance.
Mind the (Generation) Gap
Each of these duets offers insights into the nature of the so-called Generation Gap. Frank seemed to want to exert some control over the competitive threat that was Elvis. Bing was in his final days and didn’t so much pass the torch to David Bowie as stay oblivious as the world changed around him.
Jerry, on the other hand, took an iconic hit by a band that turned out to be perhaps the greatest musical force of the century, and said, “Step aside boys, let me show you how it’s done.”
Later in life Gary was estranged from his dad. Suffering through duets like this one probably wasn’t the cause, but it certainly showcases the problem.
Photo at the top of the page: A female demonstrator offers a flower to a military police officer somewhere in the United States on October 21, 1967.